Tentative Schedule of Reading and Writing Assignments

Note: I reserve the right to make changes in this schedule if doing so is in the best interest of most of the students enrolled in the class. You will be notified in writing of any changes; changes will also be posted to the course web page.

Week One January 9-11

W

Introduction to course.

F

Writer’s Profile due. Interviews and Introductions.

Week Two January 14-18

M

Modern American Prose (MAP): Baldwin 21-25; Dillard 130-38; Tuchman 394-99. WN: By 9:00 Tuesday evening, email me a one paragraph sample of "great writing." Be sure that you identify your source. Be prepared to explain in class why you think your selection qualifies for the description :great writing."

W

Understanding Style (US): chapters 1 and 2.

F

Sven Birkerts, "The Paper Chase" (handout). WN: List several books that you have found influential and/or memorable. What does the list reveal about you? Writing Project 1 assigned.

Week Three January 21-25

M

MLK Holiday–no class meeting.

W

"A Closer Look at Peer Review" (handout).

F

US: chapter 3. Bring working draft of Essay 1 to class.

Week Four January 28-February 1

M

Conference draft due. Bring copies for each member of your workshop group and for your instructor. Peer reviews in class.

W

US: chapters 4 and 5. Revision Workshop. Bring most recent draft to class.

F

Writing Project 1 due.

Week Five February 4-8

M

MAP: Hurston 609-13. WN: Write answes to stylistic analysis questions (handout).

W

Prospectus for Writing Project 2 due. MAP readings TBA.

F

Individual Presentations 1-3.

Week Six February 11-15

M

Individual Presentations 4-6. MAP readings TBA.

W

Individual Presentations 7-9. MAP readings TBA.

F

Individual Presentations 10-12. MAP readings TBA.

Week Seven February 18-22

M

Individual Presentations 13-15. MAP readings TBA.

W

Conference draft due. Bring copies for each member of your workshop group and for your instructor. Peer reviews in class.

F

Individual Conferences–no class meeting.

Week Eight February 25-March 1

M

Individual Conferences–no class meeting.

W

US: chapter 8. Revision Workshop. Bring most recent draft to class. Remember February 28 is mid-semester–the last day to drop a course.

F

Writing Project 2 due. Writing Project 3 assigned.

Week Nine March 4-8

M

Library.

W

Rhetorical Context due for Writing Project 3.

F

US: chapter 9. Mini-conferences on rhetorical contexts.

Week Ten March 11-15

M

Conference draft due. Bring copies for each member of your workshop group and for your instructor. Peer reviews in class.

W

Individual Conferences–no class meeting.

F

Individual Conferences–no class meeting.

Week Eleven March 18-22

M

US: chapter 10; Revision Workshop. Bring most recent draft to class.

W

Writing Project 3 due. Writing Project 4 assigned.

F

Barbara Sicherman, "Reading Little Women: The Many Lives of a Text." Richard Zoglin, "Trekking Onward." Janice A. Radway, "The Act of Reading the Romance."

SPRING BREAK MARCH 25-29

Week Twelve April 1-5

M

Rhetorical Context foe Writing Project 4 due by end of class period.

W

Workshop: Research Strategies.

F

Research Day–no class meeting.

Week Thirteen April 8-12

M

Group meetings. Mini-conferences: Progress Reports due.

W

Conference draft due. Bring copies for each member of your workshop group and for your instructor. Peer reviews in class.

F

US: chapter 11. Revision Workshop. Bring most recent draft to class.

Week Fourteen April 15-19

M

Presentation–Group 1.

W

Presentation–Group 2.

F

Presentation–Group 3.

Week Fifteen April 22-26

M

Presentation–Group 4.

W

Presentation–Group 5.

F

Writing Project 4 due. Discussion pf Portfolio requirements.

Week Sixteen April 29-May 3

M

Course evaluation. Group evaluation.

W

Study Day.

F

Final Examinations begin.

T 5/6

Noon Deadline for Portfolios to be turned in. No late Portfolios accepted.

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